The shoot is the easy part. What happens in the week afterwards is what decides whether the listing sells, whether your seller talks about you, and whether the street finds out who you are. This is the part everyone else hands back to you in a folder.
The tracked property website comes with every shoot, Autopilot or not. What Autopilot adds is the week after the shoot, run for you. $995 for the listing and the week that follows. No setup fee, no monthly fee, no contract. In a February with no listings there is no invoice.
Every day has a job. This is the actual sequence, not a brochure version of it. The right hand column is what happens to the same listing when nobody runs it. That column is not about effort or ability. It is about the fact that you have showings to run and an evening that belongs to your family.
One visit. By dinner the property page is live, the link is on MLS, the QR is ready for the board, and your seller has a share message ready to text their people that evening.
The short film leads on Instagram and Facebook, and the full film lands on YouTube, where buyers search. Video opens because reach opens doors.
Eight to ten photos, the house in walking order, ending on the hero shot. This is the post buyers save and send to each other. Stories carry the link sticker.
An infographic built from the page’s own data: the verified walk to the park, the school, the rink, laid over the hero shot in your colours. Nobody can copy this post, because nobody else measured.
Real numbers land with your seller in the morning: views, plays, requests. Then the weekend push: the second cut if the house earned one, the details carousel if not, and the open house reminder with the QR ready.
The page goes to the buyer’s agents who actually work this area, under your name and from your inbox, drafted for you. Agents open pages from colleagues. The counters show who looked.
The numbers card the neighbours see: views, plays, saves, live from the page’s counters, whatever they are that week. Real ones, because the page counted them.
The second report, written to be read out loud at a dinner table. And a fresh cover on the launch reel, so anyone who scrolled past on day one gets a second first impression.
Running underneath all seven: comments and buyer questions caught the same day, and a daily stats email written to be forwarded to the homeowner untouched.
Their name, phone and reply to email land in your inbox the second they tap send. Nothing waits in a portal for you to go and find it.
Everything else gets a suggested reply drafted and waiting. You approve it or you rewrite it. You never write from a blank box.
Twice per listing, written so you can forward it to your seller without editing a word. That forward is the entire product.
Nothing goes out under your name without your approval on the first campaign. After that it is your call whether you keep approving each one or let it run.
Every other version of this is a subscription with a setup fee in front of it. A subscription is a bill that keeps arriving through a Winnipeg winter when you have nothing on the market, and it is the reason people cancel these things in March. So there is neither.
The shoot, the page, and the week that follows.
The parts everyone else charges for, and we do not.
You pick which listings get it. Not every listing needs a week of campaign, and the ones that do are usually the ones you already know about on the drive home from the appointment.
Every number in your report is counted by the page and by your own channels. If a week is slow the report says so, in plain language, and your seller trusts the next one more because of it. A report that is always good news is a report nobody reads twice.
One thing worth saying out loud: the property page only works if the link is on MLS. It takes about twenty seconds and it is the single highest leverage thing you will do with any of this. We send a card with every delivery showing exactly which fields to paste it into.
The full package is $595. The short one is $395. Drone in both. Every frame of every film edited in house.